Vatican City is a deceptively large place. The world's smallest country takes a lot more effort to visit than its 0.44 km 2 area indicates.
Rome, however is deceptively small. The former capital of the western world is not a sprawling megalopolis, but a quaint town of 3 million people. Surprisingly, it’s significantly dwarfed by London, Paris, Barcelona and even Milan to the North. Subsequently, it has only two metro lines, neither of which run particularly close to the Vatican or our campsite.
So we set off to catch the bus (a bad move). Anticipating a light walking day, Rachel wore strappy sandals and I wore jeans (two bad moves). Italy is notorious for strikes, and it was the Roman transport industry’s turn, so catching the bus was made more complicated. (I’m writing this in Florence, where there is another transport strike today)
This strike was not a complete system shutdown, but meant that the buses would be running much less frequently. Fortunately our bus arrived promptly, and we caught it to Cipro-Musei Vaticani station. This name is a bit of a misnomer because the station is over a kilometre away from the Museum.
Once we arrived at the city walls (we weren’t sure where we were going so we followed a German tour group) we discovered that there was no way of crossing the city inside the walls, and the only way to get our museum tickets from the ticket office near St. Peter’s Square was to walk half-way around the star-shaped perimeter of the city.
Lonely Planet had warned us to watch out for pickpockets and fake tour guides offering to help us “cut the queue” around the Vatican and Colosseum, and it was a sound warning. Lots of people with strong American accents were very keen to help us jump the long queue. As we’d already paid for our tickets at the campsite, it was easy to avoid the temptation.
After a walk of over a kilometre we arrived at St Peter’s Square. It was astonishing. While it was smaller than I expected from seeing it on TV and in movies, it seemed quiet and empty. It’s probably the only square on the Italian peninsular without any shops, apartments or street vendors on the sides, just Bernini’s columns on each side, two fountains, an obelisk and the enormous St Peter’s Basilica towering above. This gives you the impression that you’re almost alone in the square. It’s very peaceful. The only thing that hints at how many people can fit in the square was thousands of chairs still set up for the previous day’s Papal message. Every Sunday at noon, Pope Benedict XVI gives a message in the square. From the amount of chairs still set out (a group of men were cleaning them up as we watched) I’m guessing the message is pretty popular.
After a moment in the square, we crossed the border back into Italy to the ticket office.
At 11am sharp we followed a lady from the ticket office in a group of around 50 people for a kilometre back to the museum entrance. The large group and the population of street vendors on the way meant that we got to the entrance at 11:30. By this stage our feet already hurt. (Damn those strappy sandals)
Inside the foyer of the museum it was pandemonium. Tour groups were so packed in that they were overlapping, so many people were trying to bustle through the ticket gates that you couldn't see them, and so many people were pushing onto the single escalator that it broke.
After walking up a 4 story wheelchair ramp (the escalator was closed by the time we got to it), we had arrived.
The organisation of the Vatican City is such that one of the major draw cards, the Sistine Chapel, is not part of the Basilica but part of the museum. Subsequently, anybody who wants to see the Chapel has to go through the museum first. The Chapel is almost the last thing before the exit.
I think the best way to describe the Vatican Museum is to point out that it occupies a quarter of a country. It’s huge. It’s probably the largest collection of unlabelled sculptures, tapestries and frescoes in the world. The audio guide is adequate, but the map provided is not. This means that you’re often left listening to an audio commentary on a room that you can’t find.
Lonely Planet has a suggested itinerary for the museum, but in practice there seems to be little choice as to which way you go. The layout is essentially a series of long corridors that you go through in succession to get to the Sistine Chapel. Subsequently, any time you stop to admire an artwork, you’re almost stampeded by a tour group headed straight for the main attraction. There’s nowhere to sit or eat for most of the museum, and nowhere to go to the bathroom until the very end.
Three hours later, tired, grumpy and sore, we were at the door of the Sistine Chapel.
The Chapel is indescribable, but I’ll try anyway. The floorspace (poor thing, nobody ever talks about the floor of the Sistine Chapel) is about as wide as a basketball court and a little longer than one. The structure is more like a large barn than a church, and the light is dim, due to the small windows. The building is relatively bland, really, as you can see when you look at it from the outside, so it’s no surprise that the Pope was keen on having it decorated.
I imagine the moment that the Pope asked Michelangelo to paint the ceiling was a lot like the moment Antoni Gaudi was hired to design the Sagrada Familiar in Barcelona - he had no idea what he was getting himself in for.
Michelangelo worked for many years, primarily on his own, to paint the Pope’s Chapel (as it’s sometimes known). The Pope must have found it quite frustrating to come down there for a quiet prayer and find it full of scaffolding with Michelangelo clambering around up the top.
It’s strange to look up at some of the world’s most recognisable artworks all on the same surface. The ‘Creation of Adam’ is the centrepiece of Michelangelo’s miraculous comic strip detailing the Book of Genesis, from the creation of the earth to the great flood and Noah’s Ark via the Garden of Eden and the Original Sin.
Years after finishing the ceiling, Michelangelo returned to paint ‘The Last Judgement’ above the altar. In the process he blocked up several windows and painted over other people’s paintings. It’s probably the most beautiful, intricate and terrifying image I’ve ever seen. It depicts Christ (with a body very similar to Adam in ‘Creation of Adam’, drawing the righteous up to heaven with one hand and casting the sinners down to hell with the other. Michelangelo included a self portrait in this image, as the flayed skin of a dead man on the way to hell. He had some issues methinks…
The room was full. It’s hard to estimate how many people were in there, because it was difficult to move, but it was certainly far more than the three guards left there to keep the peace could handle. A sign on the door demands silence and no photos, but neither instruction was being followed. Everyone (including us) was taking photos, and talking as loud as they wanted. At one point, one of the guards, sick of shushing everyone, decided to start a kindergarten-teacher-style clap pattern to shut the crowd up. I was very tempted to repeat his pattern after a beat, but restrained myself.
We stayed a while, but not nearly long enough to look at the detail of either the ceiling or ‘The Last Judgement’. Perhaps we’ll be back some day, and the crowd will be smaller, and we’ll be wearing better shoes. It’s also not easy looking up at the ceiling for any long period of time. Rachel’s solution is for everyone to have a nice lie down and look at the ceiling. We left the museum at 3:30pm after resisting the urge to pick up a Pope action figure in the gift shop.
We were keen on climbing St Peter’s Basilica dome, which shuts at 5pm in October, so we trudged as fast as we could, once again, outside the city walls, to St Peter’s Square.
The Square was bathed in mid-afternoon light, which streamed through the fountains and made the water splashing down the tiers look like crystals. It was entrancing, and a beautiful sight as we made our way through Basilica security (I think they were checking for antimatter).
Inside the Basilica, we joined another queue for the dome. By this time our feet were aching (damn cobblestones), and the hot Roman sun was making me seriously regret wearing heavy jeans. The queue was 40 minutes long. There were no chairs to sit on, or even hand rails to lean on. At 4:45, we caught the lift to the base of the dome, and made our way up the 320 steps to the top.
Climbing a dome is rather an odd experience. The walls of the stairway gradually get more and more curved until you realise you have to use your hands to keep yourself from falling against the inside wall.
At the summit, we saw Rome. European cities are very different to Australian or American ones. While we equate a big capital city with skyscrapers and neon signs, European cities are much flatter. St Peter’s Basilica towers above all the buildings around it, and the only buildings you can’t see over are the ones on hills. It’s the same in London, Paris, and Barcelona. While from the Empire State Building it’s hard to see Central Park, from St Peter’s you can see the Colosseum, the domes of all the city’s churches and sprawling parkland on almost all sides.
While we were up there, I’m pretty sure I saw Bill Gates. He was speaking German the whole time I was stalking him, and using an iPhone, but I’m pretty sure it was just an elaborate disguise.
We climbed back down the dome and into the Basilica. It’s a lot like the museum. Enormous and impressive, but with nowhere to sit. To give you an idea of the size of the world’s second largest church, there was a mass going on with several hundred people in the congregation - and they were hard to find in amongst the cavernous chapels and transepts. If not for the singing, it’s possible you wouldn’t notice they were there. The church can seat 60,000 people.
Tired, sore and desperate for a sit down, we left the church at 6pm and headed back to the spot where we got off the bus. We crossed the road, hoping to get catch it in the opposite direction, and couldn't find the bus stop. Once we found a bus stop, we discovered that our bus didn’t stop there. This is one of the many disadvantages of buses when compared to trams or trains… train lines, tram tracks and overhead power lines are rather easier to find than a tiny number on a sign.
An hour later we were sitting on the ground under a bridge 2 kilometres away from where we got off the bus that morning next to a bus stop sign with the right number on it, but of course it was a transport strike, and the buses weren’t running to their normal schedule.
It was at this point we decided we were staying in proper countries from now on.